Plastic Tree – Hakusei

Hakusei – Stuffing
Lyrics: Arimura Ryutaro
Music: Arimura Ryutaro

Here’s hoping for fun things to happen          a rendezvous
to Andromeda
While you continuing forward, the knife of lonliness stabs in a dizzy swirl

Here’s hoping for lovely things to happen          peacocks
spreading out in a dream all at once
As expected, the night has come and without a thought, eyes close

A hole has opened up in the sky and people are secrely climbing to it

The beginning and the end, are you going to forget them?
Although inside the heart, there is an untouchable husk
Smiling, distorting, look at you in my arms, so beautiful

Here’s hoping for happy things to happen        the girls turn off the lights
There is no one that is ugly in here, if you notice (the mirror’s dead end)

Searching for spiderwebs deep in a dream———-
if you catch it, in that moment, it snaps

Rising to the surface and sinking down, unmelting impurity
Crying out without a voice, who do you call?
Adding 1 plus 1, what doesn’t answer is an eternal secret

Delayed treatment          the palm of your hand          the world lurches
That’s the way it is          searching          in the middle of a dark field
Reddish          bluish          the sounds of the heart
Rose colored depression

The beginning and the end, are you going to forget them?
Although inside the heart, there is an untouchable husk
Smiling, distorting, you are in my arms, always

Taking its time with your destruction, your body is quiet
Covered in nothing but scars, what has been discovered?
Precious, giddy, in our arms, we are lined up          each of us, beautiful




TN: Parenthetical bit is actually reversed in the lyric book. Also, that Andromeda line actually climbs towards the top from the end of the previous line. Very neat.


But anyway. Bout that song, eh!? So, this is the first song off the album I translated. Not only is it the title track, but also the only lyrics Ryutaro wrote, aside from previous singles, on the whole thing. WAT?

Then, let’s get to the subject matter. I don’t think I have ever encountered a song that made me want to cry so hard. I’m not actually crying, but I certainly feel like a monster for not. WHAT IS THIS SONG!? WHY??? Seriously, reading this hurt. I couldn’t stop once I started, but…wow. I kinda wanna know what’s going on, but then, I really probably don’t.

God, this one’s going up there with Long Distance Call.


○ Seibutsu ●

To somewhat mitigate the pain of the previous post, I decided to add the opening and closing poems attached to the opening and closing songs of the Hakusei album, both of which are called “Seibutsu,” but with different meanings in the kanji.

Continue reading

Adventures in Music (November)

Welcome back to Adventures in Music. This month: Hige, Ubiquitous, and Bentham.


Starting out, Hige‘s album Nemuranai…I honestly was surprised to realize this was Hige. I’d definitely run into them before, but this being a new computer, I don’t have access to all my old music, so I only have a Nirvana tribute album with Hige participating on here. Anyway, when initially listening to this one, I wasn’t terribly impressed by the first track. It’s nice, chill…reminds me of some of Quruli’s more mellow tunes.

Moving on, though, we have Never Land Cruising. These intro guitars made me very happy in a sort of Radiohead/Nothing’s Carved in Stone kind of way. Post intro, though is a completely different creature. Chill, but a little chaotic. I like it. Basically, this album is full of little things I love, but also weird little things that drive me crazy. Like the repetitiveness of Innocent (What’s Going on?), which reminds me of this! It’s a mostly great album. I’m glad I picked it up. Just not that song.

Highlights: “S.S.” and “Nante Suteki na ibitsu”


Let’s go to Ubiquitous next. So, the story goes: Originally I was going to pick up the new Brian the Sun release, because I love them…I’ve grabbed everything else of theirs, why not the new one (Schrodinger no Neko), right? Then I gave this a listen. I was originally a little on the fence..I mean, Brian the Sun came with a postcard! BUT! I saw that Ubiquitous had a flyer. I thought I’d just grab the flyer as a reminder to pick them up on a later trip. But…what’s this? A recommend from a member of Kuusou Iinkai? I LOVE THEM! WAT!? Well, needless to say, I was convinced to give them a longer listen, because track 1 was a little…okay. But track 2, Kyacchi suru Sentaku, from that squirrely guitar intro, to the chorus’ hook won me. Completely.

I was also very much sold by the nicely done mixing on Kiseki wa Boku no Machi de. Very nice touch with each alternating verse coming through a different headphone side. Such a simple touch, but so rarely encountered. Anyway, turns out this one also came with a sticker, pretty cool, and an invite to an instore event for the band….which had already passed. Wat, Tower Records? Wat?

Highlights: “Kyacchi suru Sentaku,” “Kiseki wa Boku no Machi de,” and “Hero no Tsukuri kata


And last, of this trip, Bentham‘s OMG album. I was honestly expecting to snort at the temerity of calling your own album OMG, but then I started listening to it and literally said “oh my god!” I really liked the bass in the intro to the first track “YUMENOMONOGATARI,” and really, since I put this on my ipod, this song has been stuck in my head, nonstop. This is easily the standout purchase of the trip.

This band has some incredibly fun guitar hijinks and very catchy hooks. The vocals are very par the course for what’s available right now (that kind of higher pitched not quite nasaly sound)(not saying that’s a bad thing or anything, just the current trend)(I blame Bump of Chicken, honestly), nothing terribly shocking there, but this band definitely sucker punched me with YES. So I grabbed that too.


Highlights: YUMENOMONOGATARI and Crazy Girl


Tragically left behind to be returned for at a later date: Brian the Sun – Schrodinger no Neko, DEFINITELY!

The Mortal – I AM IMMORTAL, wow, Atsushi goin back to industrial sound…interesting AND nostalgic. But I’ll wait on this one for now.

Rekishi – Shikibu, come on, what’s not to love!?

Adventures in Music (the first)

Every month or so, I head up from my teeny town in the middle of nowhere and head into the closest available center of civilization, Nagoya, and go music hunting.

It’s always fun, going from listening station to listening station and seeing what’s new, what’s good, what’s being suggested. Since I’ve been doing this for a while, I’ve found quite a bit of great music doing this, but it’s a bit dull not sharing it with anyone, so I’m going to start posting reviews of recent purchases and discoveries. Maybe sometimes with some time to digest them.

So, since I’m starting out with a backlog, anyway, I might as well play catch up from the get-go, and post my October outing goodies.


This trip was primarily so I could pick up the new Kenshi Yonezu album (which I did, pictured lower right) and while that one was great, honestly, I’m still digesting it. But I’ll get to that in a moment.


First up is Furutachi Yutaro‘s, of Salovers fame, solo project mini-album, CHIC HACK. I’ve always dug this guy’s voice, but never fallen that hard into Salovers. When I was giving this a listen, I immediately was hooked by the sense of frustrated intensity I got from the first song, “Tanderon,” with lyrics speaking of only being young for so long, like shattering stardust. I was intrigued, but not quite sold. Go to the next song, “Nettaiya no Koto,” and what’s the first thing I hear? Brass! OH YES! I was so amused to hear such a drastic change from the previous song. In short, I really liked the variety of sounds presented in this all too short mini-album. I don’t know if this is very in line with his stuff in Salovers, but this mini-album spans a vast array of genres in only six songs.

Highlights: “Tanderon” and “Thunderbolt”

Next is Lucky Tapes album, The Show. Immediately, I was hooked by the super cheerful disco-esque strings of the first track, “All Because of You.” Honestly, this is probably one of the happiest songs in my entire library. Definitely the magic song to listen to on a crappy day. Great pick-me-up. Moving on through the album, I greatly enjoyed the bass magic. These guys are reminiscent of Kirinji, though not quite as impressive vocally, and Great3, who I love more than most things on this planet. Also, funfact, they are on the same record label as Chocolat & Akito (the latter being vocalist of Great3). I am SO happy I picked this up.

Highlights: “Yureru Dress” and “Peace and Magic

After that, I picked up Bremen, by Kenshi Yonezu who is a mad genius, and though musically, I do feel that this release is a tad weaker than the previous godlike perfection that was Yankee, I may be slightly influenced by the reminiscence I get from the first track, “Unbelievers,” to some western stuff I’ve heard in commercials back home, but nothing I can specifically put my finger on just yet…I wanna say MGMT-like sounds, but that’s not quite it. My friend pointed out that it has the same chord progression as a Coldplay song. But that wasn’t the similarity that keeps tickling at me. Anyway, once you get past the intro, though, that sound fades away, it’s just there’s still that feeling like I know this sound, and it kills a bit of the enthusiasm for me.

Beyond this, the problem with his releases is that they’re so dense. What you hear is only a fraction of what makes him so brilliant. Yes, most music nowadays has lyrics, but the quality varies so dramatically that some bands, it doesn’t even matter what they’re saying. That is anything but the case here. The lyrics composed for Yankee told one hell of an interconnected story, and honestly, it’s pretty rare to encounter something like that. So, as I said earlier, I am still digesting this release…haven’t combed through the lyrics with a translating comb just yet, so can’t quite cast a definitive judgement there yet.

Highlights: “Undercover,” “Ame no Gairo ni Yakou Mushi,” and “Blue Jasmine”
Moving on, we have Taiko Super Kicks, this mini-album caught me instantly. Their sound was highly reminiscent of Ogre You Asshole, who are not only amazing on their own, but also themselves remind me of Pinback, who I adore. I honestly wasn’t planning on buying anything else, and really shouldn’t have even touched the listening stations at Tower Records after spending so much already at HMV, but I couldn’t stop myself. The moment the first track Reikan starts, it sets just the right chill tone for the next five songs. Carefully straddling the line between hopeful and sad. Honestly, it’s all about that bass being brought more to the forefront. Now, I’m definitely a person who listens to a lot of music that most people would find a bit depressing. I find it beautiful, though. But this album has just the right amount of chill to make the long bus ride back from Nagoya a lot more enjoyable. In related news: they have a full album coming out on December 23rd! PREORDER TIME!

Also pictured, bonus disk I got along with it at Tower Records that came with a remix of Reikan and another song. Yay!

Highlights: “Reikan,” “Yoru,” and “Machi”


Things I  tragically put back:

Reichi “Chabo” Nakaido’s first album in 15 years, CHABO. But only because I had already spent way too much money as it is. It was a very close thing…don’t worry bby, I’ll be back for you. ;D

Analogue Fish – Almost a Rainbow. Holy crap, never thought I’d want to buy an Analogue Fish album, never could get into them in the past, so I was AMAZED that this album caught me so much. I’ll keep my eye on it.

Quruli – Futatsu no Sekai. Precious precious Quruli, WHAT? What is with this Rumiko Takahashi thing? I don’t….I just…*sigh* I don’t even. I don’t like any of her work, but holy lord do I love me some Quruli. I’ll wait until the album. ❤